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Newly published - a different side of Thomas Cole

Currently splashed across the home page of "Virginia Quarterly" and soon to appear in the print edition is a new article by Jean Dunbar, a brilliant researcher with whom we've been working over the last several years to investigate the original look and arrangement of the interior rooms of Cole's home and studios. Along the way, she discovered something about Thomas Cole that had never been fully explained -- how did he suddenly emerge on the art scene in 1825 as an accomplished painter with seemingly little or no prior training? It turns out that the answer was hiding in plain sight.

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